recseq 01 · hook9:16 · 60s

Three secondsto earn thenext ten.

I'm Reza. I edit short-form video for people who need strangers to stop scrolling, and I use AI for motion and B-roll so every frame has a reason to be there.

↳ no intro. no dead air.

Reza

short-form editor · ai motion

take 01

02toolbox

The tools behind every cut.

The software on my dock: fast first cuts in CapCut, finishing and multicam in Premiere Pro, motion and titles in After Effects, cleanup and upscales in Topaz.

CapCut
Adobe Premiere Pro
After Effects
DaVinci Resolve
Topaz

03the cut

The cut comes first.

Retention is made in the edit. I open on the payoff, trim every breath that doesn't earn its place, and time cuts to the beat of the voice. Captions move with the speaker. Sound effects land a frame early so the cut feels inevitable.

↳ every frame has a reason to be there.

01Hook rewritten until the first line pulls
02Pattern change every 1 to 2 seconds
03Kinetic captions styled per brand
04Layered sound design, mixed for phone speakers

04ai layer

Then AI builds what the camera couldn't.

Missing B-roll, impossible camera moves, a still photo that needs to breathe. I generate it, direct it shot by shot, and grade it to match the footage. AI doesn't cut the video. I do.

Motion: Runway Gen-4, Kling, Luma Dream Machine, Veo, Higgsfield, Pika, After Effects
B-roll and stills: Midjourney, Flux, Firefly, Magnific, Topaz Video AI
Voice and sound: ElevenLabs, Descript, Adobe Enhance Speech, Suno, hand-built SFX layers
Cut and finish: Premiere Pro, DaVinci Resolve, CapCut, Submagic, custom caption templates

05reel